Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio
At the end of the 1960s “Supports/Surfaces” artists start deconstructing paintings to jeopardize their representational qualities. Claude Viallat and Daniel Dezeuze, for example, process canvases and frames to highlight their phisical aspect as opposed to the illusionistic realm or representation. This way polarities such as form/space and illusionistic space/real space start having a new, dialectic relationship.
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