Contrordine. La sovversione del Nouveau Réalisme a partire dagli allestimenti delle loro opere

Silvia Colombo

Abstract


The text, after an introduction on the arrangements conceived by Marcel Duchamp during the Thirties, focuses on the exhibitions organized by the Nouveau Réalisme between the end of the Fifties and the 1970. All these occasions, based on a chaos of the objects, created a positive confusion but allowed also a “visual revolution” in contemporary art.


Keywords


Duchamp; Exhibitions; Arrangements; Nouveau Réalisme; Contemporary art

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DOI: http://dx.doi.org/10.13128/Aisthesis-11467



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