Warburg, Shakespeare e la prima impresa

Alice Barale

Abstract


With his fight against the sea monster Medusa, Perseus embodies for Warburg the “world-directed energy”. Warburg's “energetic  aesthetics” could be interpreted then as nothing but another version of the hypertrophic, despotic subject Ferraris has often written about. We will show it that is not the case by considering the relationship that Warburg draws between Perseus and Hamlet.

Keywords


Energetic Aesthetics; Warburg; Shakespeare

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DOI: http://dx.doi.org/10.13128/Aisthesis-11799



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