Wittgenstein’s Picture Theory of Pictures

Enrico Terrone

Abstract


I rely on Frascolla's interpretation of the Tractatus ontology to develop an account of depiction in which a picture is conceived of as a visual structure constituted by pixels that are conceived of, in their turn, as elementary propositions. Then I argue that such an account is complementary to the considerations about «noticing aspects» in the Philosophical Investigations, to the extent that the visual structure constituted by pixels provides a design allowing the picture’s viewer to notice aspects. Finally I argue that a joint reading of the considerations about pictures in the Tractatus and in the Philosophical Investigations allows us to address some important issues in the contemporary philosophical debate about depiction.

Keywords


Depiction; Ontology; Cinema; Wittgenstein; Aesthetics

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DOI: http://dx.doi.org/10.13128/Aisthesis-12852



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