Si può interpretare la musica elettroacustica?

Eric Maestri

Abstract


Stephen Davies distinguishes two kinds of musical works: works for performance and works that are not for performance. He argues that electroacoustic music belongs to the latter kind. I will question this distinction by considering the case of electroacoustic music. Granted that electroacoustic music is played in concert, is this a case of presentation of a musical work, as Davies holds? I will argue that the musical act of sound engineers can be seen as an interpretative activity. I will try to understand the object of this interpretation, proposing a possible reformulation of Davies' categorisation.

Keywords


musical work; performance; interpretation; electroacoustic music; phonography

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DOI: http://dx.doi.org/10.13128/Aisthesis-14101



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