Istantanee. Note su «fotografia» e «tempo» a partire da La Jetée di Chris Marker

Francesco Vitale


La Jetée (1962) is a Chris Marker movie composed by still images, photographs, with the exception of a very short sequence. The paper aims to account for the experience of temporality induced by photography, framing the structural analysis of the movie in a phenomenological horizon, in particular with regard to the Husserlian’s notion of “Living Present”. 


photography; time; movement; Chris Marker

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