Vol 9, No 2 (2016)

Je est un autre. Mimicries in nature, art and society

Table of Contents

Monographica

Foreword PDF HTML
Pietro Conte, Filippo Fimiani, Michel Weemans 3-6
Camouflage élargi. Sur l’individuation esthétique PDF HTML
Bertrand Prévost 7-15
L’estetica del camuffamento animale. Riflessioni sul mimetismo biologico PDF HTML
Valeria Maggiore 17-30
Setting the Stage for Deception. Perspective Distortion in World War I Camouflage PDF HTML
Roy R. Behrens 31-42
Il camouflage nel campo allargato. Variazioni su Disruptive Pattern Material e Dazzle Painting nella cultura visiva contemporanea PDF HTML
Maite Méndez Baiges 43-58
Aesthetics of Fake. An Overview PDF HTML
Andrea Mecacci 59-69
Animal Flicker PDF HTML
Érik Bullot 71-79
Reflections on imitation, vocal mimicry, and entrainment PDF HTML
Anton Killin 81-87
Protée et Caméléon. Mimétismes, calembours harmoniques et dissociation des formes dans la musique de la Renaissance PDF HTML
Brenno Boccadoro 89-121
«Être comme tout le monde». Per un’archeologia classicista del mimetismo sociale PDF HTML
Giancarlo Alfano 123-137
Mimicry, Ekphrasis, Construction. «Reading» in Freudian Psychoanalysis PDF HTML
Markus Klammer 139-151
Copie che sono solo la mia (con una nota di Filippo Fimiani) PDF HTML
Luigi Trucillo 153-154

Varia

Clement Greenberg e la Halakah del Modernismo PDF HTML
Camilla Froio 155-175
The Quest for “Authenticity”. Three performances of a Bach’s fugue compared PDF HTML
Tiago Morais Ribeiro de Sousa 177-196
Through the Flat Canvas: The Motor Meaning of Realistic Paintings PDF HTML
Silvano Zipoli Caiani 197-217

Review

Reviews & Reports PDF HTML
219-234


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