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Issue Title
 
Vol 6 (2013) Special Issue – Ontologie musicali Presentazione Abstract   HTML   PDF
Alessandro Arbo, Alessandro Bertinetto
 
Vol 7, No 1 (2014): Everyday Objects Presentazione Abstract   HTML   PDF
Giovanni Matteucci, Elisabetta Di Stefano, Andrea Mecacci
 
Vol 7, No 2 (2014): Formare per metafore. Arte, scienza, natura Presentazione Abstract   HTML   PDF
Maddalena Mazzocut-Mis, Rita Messori, Salvatore Tedesco
 
Vol 5 (2012) Special Issue – Riconcepire l'estetica Presentazione Abstract   PDF   HTML
Giovanni Matteucci
 
Vol 6, No 2 (2013): Aesthetics and Evolutionism: Requirements, Perspectives, Issues Prima e al di là dell’arte: origine dei segni e delle figurazioni nell’arte paleolitica Abstract   HTML   PDF
Fabio Martini
 
Vol 10, No 1 (2017): Ways of imitation Production of Body Knowledge in Mimetic Processes Abstract   PDF
Christoph Wulf
 
Vol 9, No 2 (2016): Je est un autre. Mimicries in nature, art and society Protée et Caméléon. Mimétismes, calembours harmoniques et dissociation des formes dans la musique de la Renaissance Abstract   PDF   HTML
Brenno Boccadoro
 
Vol 2, No 1 (2009): Sensibilità & linguaggio «Quand’anche l’errore sia stato smascherato…». La genesi estetica della filosofia della storia in J.G. Herder Abstract   PDF
Pietro Conte
 
Vol 5, No 2 (2012): Il verso dell’immagine Raccontare i “posti” in società. Estetica delle configurazioni sociali Abstract   PDF   HTML
Fabrizia Abbate
 
Vol 4, No 2 (2011): Etichettare / Descrivere / Mostrare Ragioni e vantaggi del classificare la musica Abstract   PDF   HTML
Filippo Focosi
 
Vol 4, No 2 (2011): Etichettare / Descrivere / Mostrare Rappresentare e immaginare Abstract   PDF   HTML
Leardo Botti
 
Vol 9, No 2 (2016): Je est un autre. Mimicries in nature, art and society Reflections on imitation, vocal mimicry, and entrainment Abstract   PDF   HTML
Anton Killin
 
Vol 8, No 1 (2015): The Aesthetic Mind and the Origin of Art Reflections on Mathematics and Aesthetics Abstract   HTML   PDF
John L. Bell
 
Vol 5, No 2 (2012): Il verso dell’immagine Representation without background? A critical reading of Wollheim and Greenberg on the representational character of abstract pictures Abstract   PDF   HTML
Elisa Caldarola
 
Vol 8, No 1 (2015): The Aesthetic Mind and the Origin of Art Reviews & Comments Abstract   HTML   PDF
a cura di Mariagrazia Portera
 
Vol 9, No 1 (2016): Aesthetics of streaming Reviews & Comments Abstract   PDF   HTML
 
Vol 9, No 2 (2016): Je est un autre. Mimicries in nature, art and society Reviews & Reports Details   PDF   HTML
 
Vol 5, No 2 (2012): Il verso dell’immagine Ri-orientare il sensibile. Percorsi dello sguardo e direzionalità dell’immagine in Picasso Abstract   PDF   HTML
Francesca Polacci
 
Vol 10, No 1 (2017): Ways of imitation Seeing through Plato’s Looking Glass. Mythos and Mimesis from Republic to Poetics Abstract   PDF
Andrea Capra
 
Vol 10, No 1 (2017): Ways of imitation Sensible schemes in aesthetic experience. Neuroaesthetics and transcendental philosophy compared Abstract   PDF
Lidia Gasperoni
 
Vol 9, No 2 (2016): Je est un autre. Mimicries in nature, art and society Setting the Stage for Deception. Perspective Distortion in World War I Camouflage Abstract   PDF   HTML
Roy R. Behrens
 
Vol 8, No 1 (2015): The Aesthetic Mind and the Origin of Art Shared aesthetic starting points? Abstract   HTML   PDF
Roberta Dreon
 
Vol 6, No 1 (2013): Wittgenstein on Aesthetics / Aesthetics on Wittgenstein Showing and Saying. An Aesthetic Difference Abstract   PDF   HTML
Vicente Sanfélix Vidarte
 
Vol 5, No 2 (2012): Il verso dell’immagine Sillabare le immagini Abstract   PDF   HTML
Antonella Sbrilli
 
Vol 6 (2013) Special Issue – Ontologie musicali Si può interpretare la musica elettroacustica? Abstract   HTML   PDF
Eric Maestri
 
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