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Vol 8, No 2 (2015): Warburghiana and Benjaminiana The Life of Forms Abstract  PDF  HTML
Cornelia Zumbusch
 
Vol 8, No 2 (2015): Warburghiana and Benjaminiana Messianica ratio. Affinities and Differences in Cohen’s and Benjamin's Messianic Rationalism Abstract  PDF  HTML
Fabrizio Desideri
 
Vol 9, No 1 (2016): Aesthetics of streaming Benjamin, Desnos et la place d’Atget dans l'histoire de la photographie Abstract  PDF  HTML
Ricardo Ibarlucía
 
Vol 10, No 1 (2017): Ways of imitation To imitate all that is hidden. The place of mimesis in Adorno’s theory of musical performance Abstract  PDF
Alessandro Cecchi
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero Abstract  PDF
Manuela Pallotto
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Aby Warburg e Walter Benjamin. Il metodo della memoria Abstract  PDF
Guglielmo Bilancioni
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Tra Benjamin e Adorno: il valore testimoniale del realismo di Kafka Abstract  PDF
Antonio Valentini
 
Vol 5 (2012) Special Issue – Riconcepire l'estetica Estetica e simbolica Abstract  PDF  HTML
Massimo Baldi
 
Vol 9, No 1 (2016): Aesthetics of streaming “Intermittency: the differential of time and the integral of space. The intensive spatiality of the Monad, the Apokatastasis and the Messianic World in Benjamin's latest thinking” Abstract  PDF  HTML
Fabrizio Desideri
 
Vol 9, No 1 (2016): Aesthetics of streaming Performances Compared. Sequential replication of the same music piece on an audiovisual file Abstract  PDF  HTML
Giorgio Armato
 
Vol 10, No 1 (2017): Ways of imitation Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin Abstract  PDF
Andrew Benjamin
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Note e recensioni Abstract  PDF
Autori Vari
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Walter Benjamin: un melanconico allievo di Aby Warburg Abstract  PDF
Marco Bertozzi
 
Vol 2, No 2 (2009): Sulla narrazione Cinema, arte e temporalità nella Montagna incantata. Bioscopia: un capitolo trascurato dell’estetizzazione della politica Abstract  PDF
Fabrizio Desideri
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno L’esperienza estetica come esperienza di immagini. Walter Benjamin e Theodor W. Adorno Abstract  PDF
Elena Tavani
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Allegoria: fu vera gloria? Abstract  PDF
Andrea Pinotti
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Aby Warburg e il dramma barocco Abstract  PDF
Claudia Cieri Via
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno «…la fatica di ricostruire la naturale unità fra parola e immagine». Warburg, Benjamin e ciò che la storia non può dire Abstract  PDF
Silvia Ferretti
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Editoriale – Costellazioni tempestive. Warburg – Benjamin – Adorno Abstract  PDF
Fabrizio Desideri, Alice Barale
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Lucciole e farfalle per un’immagine dialettica Abstract  PDF
Elisabetta Villari
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Benjamin, Adorno e la “fisiognomica” Abstract  PDF
Giovanni Gurisatti
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno Spazi per pensare. Topografia e immagine in Warburg e Benjamin Abstract  PDF
Raoul Kirchmayr
 
Vol 3, No 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno L’immagine-tempo da Warburg a Benjamin e Adorno Abstract  PDF
Giuseppe Di Giacomo
 
Vol 4, No 2 (2011): Etichettare / Descrivere / Mostrare La forma come esperimento o come destino Abstract  PDF  HTML
Alessandro Ottaviani
 
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