Visions of the City in Seventeenth-Century Roman Popular Theatre

Roberto Ciancarelli

Abstract


The extraordinary circulation of comic scripts (texts, manuscripts, scenarios and zibaldoni) in seventeenth-century Rome allows us to observe the profiles of a ‘self-referential theatre’ that involved citizens, amateur actors and authors, and depicts clear images of milieus, conventions and habits of the city.


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DOI: http://dx.doi.org/10.13128/JEMS-2279-7149-24886



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