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Vol 5 (2016) ‘mere prattle without practice’: Authorship in Performance Abstract  PDF
Thomas Betteridge, Gregory Thompson
 
Vol 5 (2016) ‘ready apparrelled to begyn the play’: Collaboration, Text and Authorship in Shakespeare’s Theatre and on the Stage of the Commedia dell’Arte Abstract  PDF
Paola Pugliatti
 
Vol 5 (2016) Shakespeare and Warwickshire Dialect Abstract  PDF
Rosalind Barber
 
Vol 5 (2016) Text, Style, and Author in Hamlet Q1 Abstract  PDF
Christy Desmet
 
Vol 5 (2016) Fake Shakespeare Abstract  PDF
Gary Taylor
 
Vol 5 (2016) Authors of the Mind Abstract  PDF
Marcus Dahl
 
Vol 5 (2016) Exploring Co-Authorship in 2 Henry VI Abstract  PDF
Darren Freebury-Jones
 
Vol 5 (2016) ‘Fabricated Lives’: Shakespearean Collaboration in Fictional Forms Abstract  PDF
Robert Sawyer
 
Vol 5 (2016) Non-Traditional Authorship Attribution Studies of William Shakespeare’s Canon: Some Caveats Abstract  PDF
Joseph Rudman
 
Vol 5 (2016) William Shakespeare, My New Best Friend? Abstract  PDF
Andrew Hadfield
 
Vol 5 (2016) ‘by curious Art compild’: The Passionate Pilgrime and the Authorial Brand Abstract  PDF
Donatella Pallotti
 
Vol 5 (2016) Between Authorship and Oral Transmission: Negotiating the Attribution of Authorial, Oral and Collective Style Markers in Early Modern Playtexts Abstract  PDF
Lene Buhl Petersen
 
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