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Abstract
Daniel Teruggi, after an analysis of the modalities of listening in relation to the multiple factors that determine it – including the different categorizations attributable to human perception of sound phenomenon, the reference context, the properties of the sound source – takes into account the changes made in the reception of the musical phenomenon by an acousmatic listening where, starting from a concept that is independent from the visual perception of the source, we define a framework in which our auditory imagination constructs images and sound forms from what music suggests.
Firenze University Press
Borgo Albizi, 28 - 50122 Firenze
Tel. (0039) 055 2743051 Fax (0039) 055 2743058
E-mail: journals@fupress.com
Borgo Albizi, 28 - 50122 Firenze
Tel. (0039) 055 2743051 Fax (0039) 055 2743058
E-mail: journals@fupress.com



