Il ruolo dei canti di nozze nei drammi di Euripide

G. Baltieri

Abstract


The article investigates the relationship between tragedy and the hymenaios, the lyrical wedding-song. After the identifying the distinctive features of the lyric genre as it was understood in the archaic and classical period, the essay explores the reworking of this extra-dramatic choral form in Euripides’ tragedy. An analysis of Euripidean passages referring to hymenaios from a thematic, linguistic and performative point of view highlights the intentional alteration of the traditional features of the wedding-song in tragedy, according to the specific role allotted to its ritual performance in the context of the dramatic plot.

Keywords


wedding; hymenaios; genre Euripides

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DOI: http://dx.doi.org/10.14601/prometheus-11199



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